CHRIS SOTERI TOUSIMIS
SCULPTURE
Statements of Others
"..The works of Chris Tousimis always offer new visions. Solid pieces of material. The Chris Tousimis sculptures are peaceful symbols, helpful objects for our stressed time."
Firouz Galdo, Architect, designer of Gagosian Gallery, Rome Italy
"I had a vital place at my home, which required a special and eye-catching sculpture. I retained sculptor, Chris Tousimis to create something dramatic but not overdone, and he created the work Epiphany, which is perfect for the space and has been greatly admired by all who have seen it."
Rick Rickertsen, Owner of historic Laird-Dunlap Coach House Property, Georgetown-Washington DC.
"Chris Tousimis’ work captures the potential of the materials he uses and is sensitive to the environment it inhabits. His knowledge of iconic forms is synthesized into the work he shapes. His art, both elegant and refined, reflects his extraordinary ability to see in many ways. Chris Tousimis is a gifted and creative artist. “
Mr. Joseph Krakora, Ex Executive Officer, National Gallery of Art, Washington, DC
Artist Statement
I believe art is at its most powerful when it enhances and engages with the community. From an early age, my parents instilled in me the idea that we are at our best when our work benefits others. Through sculpture, I strive to create pieces that inspire a sense of joy, pride, and connection in the places they inhabit. This mission drives me to craft each piece with precision, care, and an enduring commitment to excellence.
Born in Washington, D.C. to Greek immigrant parents— I grew up surrounded by both scientific rigor and artistic expression. My mother an English teacher and my father, a scientist and pioneer in x-ray micro analysis. He spent countless hours polishing metal surfaces to exacting standards. He taught me these techniques when I was young, and today they form a valuable component of my sculptural process, allowing me to create highly polished, large-scale metal works that capture and reflect light in dynamic ways.
I studied art in high school and later at Dickinson College in Pennsylvania. My early career was dedicated to oil painting, which trained my eye for balance, composition, and rhythm—elements I now incorporate into my sculptures. Just as a painter guides the viewer’s eye with brushstrokes and color flow, I use curves, reflections, and surface movement to create a sense of harmony in the three-dimensional space.
I see sculpture as a language—one that requires years of study before an artist can truly speak in their own voice. My goal is not only to create beautiful objects but also to foster meaningful interactions between the artwork and its environment, ensuring each piece becomes an integral and engaging part of its community.
Recent Dutch studies show that engaging with original fine art can alter brain activity in ways that encourage contemplation and a sense of calm. Research from Philadelphia further demonstrates that well-placed artworks in revitalized public spaces can statistically reduce crime rates. I want to be part of contributing to these positive interplay's.
My training and life experiences have led me to pursue balanced, harmonious compositions that evoke a sense of beauty in the viewer. I think of the sculpture’s curved surfaces as a canvas designed to capture reflected colors in a deliberate way. In this sense, the sculpture becomes a medium between the natural and the man-made—inviting contemplation, connection, and transcendence.
My studio, located along the river near Washington, D.C., is built on a commitment to sustainability. I power my workspace through wind energy credits and work primarily with 304 stainless steel, a material chosen for its durability, minimal maintenance, and multi-generational lifespan. My approach ensures that my sculptures will stand the test of time, both aesthetically and structurally, while maintaining environmentally responsible practices.
Each sculpture I create is an opportunity to contribute to the landscape of a space—to transform it, enhance it, and invite engagement. I am honored to pursue this work and look forward to collaborating on projects that bring lasting artistic impact to public and private spaces alike.